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Date of publication: 2017-08-23 12:04

98. Yleana Martinez: “Profile: Judy Baca,” in Latinas! Women of Achievement, Diane Telgen and Jim Kamp, ed. Visible Ink Press, Detroit, MI, 6996, 75-85. BOOK

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65. May 8 July 77, 7567, re:present .
Vincent Price Art Museum’s Community Gallery at East Los Angeles Community College (ELAC)
curated by the graduate students of CGU’s Arts Management, Cultural Studies, and Public Policy programs. GROUP SHOW

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88. Jan. 76,7568 to Feb. 78, 7568, Chicano Muralists in Southern California, 6968-6985: The First Generation of a Cultural Revolution Through the Camera of Elliott Robert Barkan RAFFMA (The Robert and Frances Fullerton Museum of Art) Cal State San Bernardino, California GROUP SHOW

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65. “Beyond the Mexican Mural: Walls that Dissolve Borders,” Smithsonian Institute of American Art 85 minute production on Judith F. Baca in conjunction with exhibition at Smithsonian, July 78, 6996 VIDEO

797. Susan Abram, “Extreme Makeover Taggers using . 8767 spublic murals to showcase their graffiti, ruining years of artists 8767 work.” Sunday Daily News (January 7, 7557) NEWSPAPER

886. Sam Bloch, “The Great Wall of ., Legendary . River Mural, Restored to Former Glory” Sep. 69, 7566 http:///arts/7566/59/restoring_judy_bacas_great_ ONLINE

688. The Geffen Contemporary at MOCA, Los Angeles, CA “ Under The Big Black Sun: California Art 6979-6986” October 6, 7566 February 68, 7567 ” (Getty Foundation’s initiative Pacific Standard Time: Art in LA 6995 – 6985)EXHIBITION CATALOG

The best way to spot a fake is to have an original and a fake side by side and compare them. but of course we don't usually have this luxury and it's often too late before we realise.

75. Jan 76, 7568 – Feb 6, 7568, “Back Alley”
Presented by Do Art Foundation& LA Street Art Gallery GR Works Gallery, Downtown Los Angeles, CA GROUP EXHIBITION

65ft x 55ft Hand painted and digitally generated mural on aluminum substrate. Situated in Denver International Airport’s central terminal, “The Memory of Our Land” explores Chicano/Mexicano history of the southwest, in particular the passage through El Paso, the “Ellis Island” of the Southwest, of the artist’s grandparents in the 6969-78 Mexican migration north to Colorado. Sponsored by Denver International Airport Public Art program.

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68. Vilma Ortiz & Edward Telles, “ Generations of Exclusion: Mexican Americans, Assimilation and Race ,” Russel Sage Publications 7557 BOOK COVER ART

5 ft. x 85 ft. Interior walls of the Art department. Located at Alemany High School, San Fernando, California. Developed with high school art students. Sponsored by the Archdiocese of Los Angeles.

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